Articles by tag "Adler, Guido"
From Historical Concerts to Monumental Editions: The Early Music Revivals at the Viennese International Exhibition of Music and Theater (1892)
This article investigates the genesis, programming patterns, and transnational impact of the series of early music concerts (Historische Concerte) performed on the occasion of the Viennese International Exhibition of Music and Theater of 1892. Guido Adler was the co-organizer of those concerts, and this article will focus on the impact...
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From Historical Concerts to Monumental Editions: The Early Music Revivals at the Viennese International Exhibition of Music and Theater (1892)
This article investigates the genesis, programming patterns, and transnational impact of the series of early music concerts (Historische Concerte) performed on the occasion of the Viennese International Exhibition of Music and Theater of 1892. Guido Adler was the co-organizer of those concerts, and this article will focus on the impact...
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Spatializing Music Histor(iograph)y: Exhibiting Guido Adler’s Musico-Historical Model at the International Exhibition of Music and Drama, Vienna 1892
The International Exhibition of Music and Drama, Vienna 1892 was the only World’s Fair that was dedicated to exhibiting the development of music and drama history. The event’s conception follows the typical framework of nineteenth-century International Exhibitions. However, to a certain extent, Vienna 1892 was unique because of its attempt...
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Spatializing Music Histor(iograph)y: Exhibiting Guido Adler’s Musico-Historical Model at the International Exhibition of Music and Drama, Vienna 1892
The International Exhibition of Music and Drama, Vienna 1892 was the only World’s Fair that was dedicated to exhibiting the development of music and drama history. The event’s conception follows the typical framework of nineteenth-century International Exhibitions. However, to a certain extent, Vienna 1892 was unique because of its attempt...
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“Baroque” in Early Musicology and Art History: Egon Welleszʼs Concept of an Austrian Tradition
In 1909 Egon Wellesz published the article “Renaissance und Barock” in which he applied the term “Baroque,” which originated in art history, to music. With this he introduced the name for this music-historical epoch to musicology at least ten years before Curt Sachs, whose essay “Barockmusik” (1919) is still commonly...
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