Articles by tag "Libretti"
“A soul, rubbing the sleep from its eyes in the next world”: Dramaturgical Aspects of Metaphysical Temporality in the Libretti of Alban Berg’s Operas
Temporality, as a narrative device, was a central element in Alban Berg’s operas both textually and musically. The systematic form of creating circular structures with palindromes via large-scale retrogrades was meant to turn narrative time back onto itself as an expression of fatalistic negation. This conceptualization held metaphysical implications for...
Borrowing, Reworking, and Composing: The Making of the Viennese Pasticci of 1750
The dramma per musica Andromeda liberata, the favola pastorale Euridice, and the azione teatrale Armida placata, all performed for the first time in Vienna at the Theater nächst der Burg in 1750, are, as pasticci, quite exceptional for the Viennese opera repertory of the Theresian Age. Their singularity resides not...